Julian Opie (1958-), 3D Lenticular Moving Image, in Sepia, Walking, Dancing, Undressing, Smoking, Framed, 2006
A Float mounted Table Top / sideboard lenticular moving image print in Sepia, black and white from Julian Opies exhibition for the Alan Cristea Gallery, 2006.
‘Walking, Dancing, Undressing, Smoking’, is best enjoyed when on a table top, sideboard or at eye level, or even flat, providing a great visual, lifelike and spatial experience as she sexily shimmers. The picture frame has been designed for all applications.
A lenticular moving image print from Julian Opies Exhibition Walking, Dancing, Undressing, Smoking for the Alan Cristea Gallery, 2006.
Artist : Julian Opie
Title : Walking, Dancing, Undressing, Smoking
Year : 2006
Medium : A 3D lenticular moving image, Layered Plastic in sepia, black and white colours
Image Dimensions : 15 x 10 cm / 6 x 4 inch
Framed : Yes overall 20 x 16 cm / 8 x 10 inch
Condition : Near Excellent
Postage and Packing – Due to geographical location Postage and insurance varies if required.
Within this URBAN ART AUCTION, Items Can be combined for best value postage. Please contact for details. UK mainland signed for.
ABOUT the ART and the ARTIST
One of Opies 3D images project, Walking, Dancing, Undressing, Smoking, is a Sepia, white and grey coloured image of Sarah standing, Walking, Dancing, Undressing, Smoking
The 3 dimensional lenticular image in Opies unique reductive style evokes both a visual and spatial experience of the world.
Walking, Dancing, Undressing, Smoking reflects this with its 3 dimensional depth end endearing moving images contained within a frame.
Inscription and invitation to the Alan Cristea Gallery, 2006, inside frame
The work of Julian Opie is known throughout the world. With public commissions from New York to Seoul, London to Calgary, and an uninterrupted flow of international museum exhibitions, Opie’s distinctive formal language is instantly recognisable and reflects his artistic preoccupation with the idea of representation and the means by which images are perceived and understood. “Everything you see is a trick of the light,” Opie writes. “Light bouncing into your eye, light casting shadows, creating depth, shapes, colours. Turn off the light and it’s all gone. We use vision as a means of survival and it’s essential to take it for granted in order to function, but awareness allows us to look at looking and by extension look at ourselves and be aware of our presence. Drawing, drawing out the way that process feels and works brings the awareness into the present and into the real world, the exterior world.” Always exploring different techniques both cutting edge and ancient.
