Robert Rauschenberg (b 1925 - 08) ‘Stop Side Early Winter Glut’ enamel badge, Discontinued, 1987
The original Art collage ‘Stop Side Early Winter Glut’ was an assemblage of ‘found’ objects; road signs and roadside found items reassembled in a 43 1/4 x 46 x 34" (109.9 x 116.8 x 86.4 cm) statement and displayed at New Yorks MOMA
Highly detailed and true copy created especially for the Robert Rauschenberg exhibition at Tate Modern 2016 this enamel pin badge is inspired by the artist's piece ‘Stop Side Early Winter Glut’, 1987.
Pop Artists Peter Blake and Robert Rauschenberg are infamous for their productions of ‘found’ art assemblages made of recycled material, postcards cigarette packs, and other street found items.
The Adaptable …..Great for wearing or framing in a mini-frame badge .
Artist : Robert Rauschenberg
Title: ‘Stop Side Early Winter Glut’ lapel badge of
Year: 1987
Signed: Signed with a facsimile signature to rear
Limited Edition: From a run discontinued run of 1,000
Medium: 3Dimensional, Stainless steel and enamel in colours of Metal signs and objects
Published: TATE Gallery
Provenance: Rests with TATE Gallery, London
Blind Stamps: None
Dimensions: Overall size 5 cm X 4 cm at the widest measurements
Framed: No
Condition: Excellent and stored in boxed condition, both unaffected by sun, bright vivid colours
Postage and Packing – Due to geographical location Postage and insurance varies if requested.
Within this URBAN ART AUCTION, Items Can be combined for best value postage. Please contact for details. UK mainland signed for. Worldwide.
ABOUT THE ARTIST and the ART
One of the most influential figures of twentieth-century art, Robert Rauschenberg was a pioneering artist who ultimately challenged perceptions of what art could be. Born in Texas in 1925, he later moved to New York, where he created many of his best-known works. Endlessly curious and inventive, his work ranged from painting and sculpture to performance and dance. His refusal to accept existing boundaries of what was considered art led him to continually experiment with new techniques, from innovative printing methods to incorporating found objects and detritus in his works. This radical approach prefigured pop art and inspired generations of conceptual artists in the decades that followed.
